gouru is launching its own label, submersive, with an ep from brendon moeller aka. echologist, including a remix from french duo hbtvsk (voiski & heartbeat).in 2014, to celebrate the 4th birthday of the webzine gouru, brendon moeller and hbtvsk were invited to play at la machine du moulin rouge (paris). following a car accident on his way to the airport of new york, brendon was unable to appear and play. to make up for this unfortunate incident, gouru offered brendon the inauguration of its new label submersive, and invited heartbeat & voiski aka hbtvsk, the duo he was supposed to share the stage with, to remix one track. 2 years later, the first ep of the label gathers all 3 artists who were not able to share the decks on stage, on the same record. as brendon himself says , “all good things take time” and instead of evoking the nostalgy of a party that did not happen, the record opens the doors of the imagination and takes us to a powerful collaboration between 2 artists’ generations, thereby showing us the techno scene at its best.zur opens the ball and sets the tone of the ep, a dub and progressive rise, based on a cyclic structure, punctuated by a random reverb. tension is maintained throughout and finally leaves room to filth, whose rhythm is faster, unrestrained, yet keeps an air of suspense and unpredictability - the perfect soundtrack for an exhausting race. looking for trouble plays on a more hypnotic side. with a dark yet electrifying atmosphere, rhythms are exalted by a strident and piercing melody, evolving alongside uncontrollable sounds, throwing us straight into a cosmic trip. faithful to the spirit of the ep, the filth remix delivered by hbtvsk is a perfect exercise of style. without denaturing the original track, the remix revisits it. its’ heavy, powerful mechanism is, at the same time, accurate and sharpened. certain parts of the original track are easily recognizable, which finally get lost in the subtle gearwheel of an anthem tinted by noise.

the debut release for kalyma on connected, the brixton/berlin based label distributed by kompakt records and run by terranova and stereo mcs. a1 laydown original kalyma teams up with his friend, singer and songwriter peter stanowsky. the song was written during a relaxed and loose jamming session in late summer time at their home studio. the vocal performance is surrounded by a groovy and very percussive beat. after a long, calm intro a hypnotic bass melody kicks in together with more percussive elements in order to get up to full speed. the catchy bass combined with the repetitive vocals gets the listener in a driving, rhythmical, dreamy mood lay down was made to enable smooth transitions in the dynamic range of a diverse house dj set, without loosing energy and create a special intimate, percussive vibe

keith tenniswood returns in 2016 with dub vault vol. 2, the second emission of dubwise productions under his radioactive man moniker, originally recorded a decade ago while based in scrutton street studios. a long time fan of roots, reggae and dub here he fully indulges in the genre whose keystone bass weighted sounds have informed the electro-focused designs he is predominantly known for. explosion begins the ep recorded utilising new toy at the time, a korg esx1 sampler and sequencer, resulting in simple but crashing dancehall beats with a diliinja style bassline that is pure roughage. second track razor sees tenniswood also take up the guitar as well as beat programming in this track named after the * stepping razor* peter tosh and a nod to his music hero adrian sherwood and on u sound vibes. blazer rounds off the ep, a collab with long term dub head and band member with keith from bargecharge (check fuel records early releases late 90s) james foster. tape echo and distorted bass make up the thick sound of this trac

“ode to eskapism” is dedicated to all of those that use techno as a way in to escapism. to those that use techno as a mental diversion from the perceived unpleasant, boring, arduous, scary, or banal aspects of daily life. those that cannot subsist on the scanty satisfaction they can extort from reality alone. those that feel the need to dissociate from reality in order to experience it. to all of those that emerges recreated, stronger and full of life after a weekend escape into techno. the label bond is the brainchild of swedish techno dj and producer petter b. the concept of the label is “music by djs for djs”. the label focuses on releasing tracks that enable the dj, rather than the producer, to be creative. it is based on that special bond which is created every time a dj combines tracks, loops and sounds live into something new and unique.

marwan sabb and illan nicciani are essential figures on parisian techno and house underground scene. booth as dj-s and producers, marwan and illan left an indelible mark releasing for labels such as sci-tec, time has change and sharing decks together with names like fumiya tanaka, martin buttrich, arpiar, sonja moonear and many other.

for the fifth edition of the popular -parquet most wanted- ep we have another 4 masterly melodic & atmospheric productions, dancefloor-proved and worldwide supported by international tastemakers! this time on board only heavyweights of the current melodic house & techno scene: d-nox & beckers, oliver schories, solee and boss axis! 100% must-have!

laate is the new project of clayton guifford (unrelated / fragil). for this second release, we are very glad to welcome - the black tone - (rawthencity / appian).- circadian attraction e<p - is just as ethereal as abyssal tone records, where nagging mpc s swing and reverberation s effects are placing great emphasis on minimalist compositions, strictly dedicated to the dancefloor.on a side: - circadian attraction ep - is backed by a dynamic rhythm with analog tones. a meticulous architecture temple where time stop. a techno recital of limpid beauty gliding on a groovy bassline that will make every soundsystem whirr.on b1: - aquatic redox - is a plunging us into deep submarine daydreams. a digital bath with salty taste and hypnotic dampness. everything is a quiet, question & answers between the different elements are bouncing over and over in the atmosphere, constantly captivating the attention. a perfect balance between strength and subtlety. finally on b2, - aquatic redox - s remix is released by the famous producer: janeret (rutilance /aku). after an -haute-couture- intro, slightly breaked, we find in this remix the galactic synths typical of the talented young parisian’s repertoire. clear, precise and extremely mastered, this rework put everyone in agreement on the dancefloor.

hot off a couple of 12” from topher horn, rocksteady disco follows up with its first compilation featuring a heap of heavily sampled originals from more well-known editors. pontchartrain leads the release off with a summer-inspired aural prozac number, just in time for this june release. next up is notorious detroit editor lafleur, busting out this original milky-smooth detroit boogie house production. a slight little rearrangement from rocksteady disco label boss peter croce makes this one a bit smoother for the djs. lyon, france’s g2s kicks off the flip with a big-bottomed stomper reminiscent of some mcde ‘raw cuts’. pontchartrain book-ends this release with a track that puts the ‘rocksteady’ in rocksteady disco, with heavy analog-meets-electro drum programming and complete with pontchartrain on vocoder duties. hand numbered edition of 500 copies with dl code.

following on from last years exceptional ‘obsession ep’ from art crime is a budding young talent by the name of will lister. originally from lyme regis, will moved up to london to attend goldsmiths university and in his spare time he helps us out behind the counter here at the shop. when he’s not here at the shop you can also hear him playing records on his balamii radio show or his monthly club night, ‘the aten’. ‘the phantom ep’ is his production debut and we’re extremely happy to be putting it out on our main imprint. the title track opens up the ep with heavily reverbed pads, echoed claps, crunchy percussion and repetitive synth stabs that all work together to create spaced-out atmosphere that’s full of twist and turns. flipping over to the b-side, ‘after the light’ picks up the pace with a driving high-hat rhythm and full-bodied kicks that underpin warm piano keys and smooth synth lines. ‘agency’ closes proceedings by turning up the intensity to full with a masterclass in building tension.

a very welcome and first time reissue of this amazing lp. beautiful deep brazilian music that soothes the soul.
originally recorded at estúdios da somil between september 1973 and october 1974. a handful heavyweight brazilian musicians have been working together on this album, orlandivo, hermes & zé roberto to name a few, we think you can definitely hear their influence in a positive way.

raw electronix all the way from medellin, colombia. it s retrograde youth making his debut on radio matrix. by serving us three different kind of tunes, he shows us he is definitely an artist to keep your eyes and ears focused on.

following his l.i.e.s. lp last year and cccp 12 inch, 45 acp returns with a jaw dropping follow up. from scratchy ambience to dramatic slow tempo bpm cuts to melodic house tracks, 45 acp shines on this ep showing his versatility and reinforcing his reputation for strong song writing and composition. once again diverse enough for club or home listening, warm up or peak time. let the djs make the choice. another truly special ep from this up and coming producer. highly recommended.

aus music is delighted to announce the debut album from long time house and techno tastemaker cassy. the double vinyl lp includes the full album on cd.

scott young s most powerful and personal (he was actually homeless at the time of recording the title track in berlin) effort to date. no return to the jive disintegrates a familiar groove into digital detritus, burning down the house (genre) in the process. homeless disco dub is mutant and sticky, and already a hit at the best kitchen after parties. hobo art by capablanca & young. weirdo magick

stamp s back in business with two surefire disco edits from the mighty man power! after releasing some great original material on correspondent, hivern discs, throne of blood and voyeurhythm, the englishman-in-mexico shifts his focus to reinterpreting an early 80 s r&b hit and some hypnotising funk from the sultan of seduction. thnk u on the a side is all about building tension and teasing the crowd while ablett on the flip pushes up the tempo to create a break-heavy and hypnotic roller destined for peak time euphoria. unmistakable keys and excellent drum programming. keep em coming man powe

these two young guns from amsterdam promise to leave a big mark on the scene. their fresh interpretation of classic us house convinces with soulful vocals, stomping beats and surprising breaks. on their debut ep, soultage delivers with old school love and soulful damage two house anthems, which will definitely make every peak time dancefloor go boom. to warm up the place in the earlier hours, the duo recommends a swinging groove and jazzy trumpet. to round things up we find let s play house maestro jacques renault on remix duties, who turns soulful damage into a percussive dub monster. say what? house music all night long!

stone cold classic, although pastime paradise has been reissued a couple of time on compilations every single reissue has used the rocky lp version which is not nearly as good as the original 7inch cut. as we at athens of the north like to do things right we went back to the sony tape vault and had the 7- version transferred for the first time since the o.g 45 was cut. this 45 sounds fantastic, much stronger then the o.g 45 cut so its a no brainer. on the flip we took one of our favourite track from the lp and introduced it to 7inch for the first time, mambotango is a dreamy sountracky latin disco number i used to spin on warm up duty, very new york.

storming into our fifth release from the dirty shores of new jersey, green village is proud to present village elders 001, a compilation ep featuring new material from artists who have already flown the flag for gv. the a-side is held down by the plan b duo of dj spider and dakini9, purveyors of the metro area s dirtiest and deepest house sounds. spider gets toxic a second time,following his 2013 instruction drop with toxic trace 2, a thickly layered deep house cut whose seedy percussion underbelly contrasts vividly with the more traditional deep house pads that accompany it. dakini9 s lost paradise is dark and mysterious like its title, the hats, trumpets, and vocals emerging in tangled webs of dub effects, a strong follow-up to her dope ep for the label. disaroen, a duo from toronto, half of which previously appeared on gv, turns in the most barren of the four tracks, serious doorman, heads-down techno that crackles to life halfway in and an auspicious debut for a promising new group. last is nj heavyweight nicuri, a rising star whose ripples of time closes the ep in his signature searching, melodic style.

born in 2012 on the west side of buenos aires, agrupación ilegal los imparciales is a mix of traditional cumbia, peruvian chicha and instrumental psychedelia. a full live act and often transcendental experience, the group utilizes the classic instrumentation of electric bass, electric guitar, farfisa organ and percussion, an homage to older times, without the crutch of electronic sounds and samples. its a new generation of young and accomplished musicians bringing forward the sounds of a lost era and aesthetic, so relevant in todays modern music landscape. already with two studio albums under their belt and a third on its way, its high time the group is poised for a worldwide release sampler at the hands of names you can trust.

over the course of four albums, manchester based trumpeter, composer, arranger and band-leader matthew halsall has carved out a niche for himself on the uk music scene as one of it s brightest talents. his languid, soulful music has won friends from jamie cullum and gilles peterson to jazz fm and mojo as well as an ever-growing international following. his label gondwana records is home to gogo penguin and his own albums have found halsall exploring the modal jazz of john and alice coltrane, paying tribute to the hard bop of the late ’50s and early ’60s or most recently on fletcher moss park drawing on eastern influences in his most personal statement yet. his latest album when the world was one is something of a companion piece to fletcher moss park (much of the music was written at the same time) but draws more explicitly on halsall’s love of spiritual jazz and eastern music as well as his own studies in meditation and travels in japan. beautifully recorded at hasall’s favourite studio, 80 hertz in manchester, and engineered by brendan williams and george atkins it features the recording debut of halsall’s large ensemble, the gondwana orchestra, which utilises the exotic flavours of harp, koto and bansuri flute and eastern scales to create a global palate for halsall’s life-affirming sounds.

piramide registrazioni delivers music aiming to keep a solid sound integrity and coherence throughout time, yet not depending on a determined style. for its debut release piramide crew drops an hypnotic 3 tracker which puts the audience into a spiral of spacey and gritty sounds.

nice price deal !!! kombination aus techno, house und jazz, mit einem remix von ashley beedle.

i’ll be honest, i had forgotten about samuel jonathan johnson until i heard theo parrish play it recently. i used to spin the lp years ago but my copy got lost or beat. soon as i heard it i made a call and sorted out the 45, just an amazing solid groove on sweet love, you cant help but feel it. the flip reasons, is the other great track from the same columbia lp my music. first time on 45 for both of these, once they are gone that is it. disco essential!

another fine reissue of a chicago classic from jeff craven and his large music imprint focusing again on the dynamic artistic team of black ice productions. first released in 1992 on velvet city records, the black ice ep treads more into a deeper and jazzier vibes than their other outings at that time (such as the union camp release). a few listens and one can easily recognize the influence that all four tracks had on future labels and artists throughout the mid and late 1990 s. this is timeless, pioneering chicago deep house at its finest and a must have for all collectors.

our latest looking for mushrooms ep comes to us from a collaboration between long time dirt crew resident tigerskin and gifted jazz pianist and composer grambow. we first heard from grambow when his fluid key stylings featured on tigerskins faint in 2015. the title track is a suspenseful and moody journey, lead by live double bass from feature artist das eb. building in intensity with tigerskins warm production and steady percussive instrumentation until grambows live lead on a gritty synth growls in over the top. a true modern electronic classic as far as we are concernred. tsukiji is a playful deep house groover. balmy tuned percussion and shaken highs roll along under the light hearted piano which cruises along throughout the whole tropically touched endeavour. this track has party written all over it! octocat is a tougher italo disco tainted work out, tightly programmed live and analogue percussive elements push along, while wailing keys lick over a tenacious grunting bass. you can really taste and feel the long studio sessions the guys had to compose this great track. it is so much more than generic dance music. red fox is a divine culmination of the pairs compositional prowess and dance music knowhow. a cinematic and spirited house track that glides and glistens via delicate piano, plucky percussive riffs, bright strings and woodwinds. we are very honoured to release this outstanding musical release by tigerskin and grambow.

what if we took you back to your untroubled teenage days, when all seemed complicated and easy to reach at the same time? that is exactly what cassius managed to transpose in 15 again: a carefree music, coloured by some deep songs, like an emancipated soul, but always tormented. the hit “toop toop”, sampled by madonna or david guetta, among others, and the intense “la notte” illustrate perfectly this state of mind of the youth. pharrell williams is present on the song “eye water”, a beautiful ode to our planet and its natural resources, and cassius has got further exciting surprises for you. we’re releasing their third album once again for this summer, a real shot of freshness to relieve you from the heat!

repress ...rounding out this iteration of the moods & grooves classic series are two of its best selling releases from one of detroits most prolific producers, theo parrish, and label head mike grant. the mr. g remix of my soul, my spirit nets a pretty penny at the online marketplace so if the steep prices have deterred you, now is the time. chunky was produced during the time theo was a leader of detroit s raw & dirty house sound.

excellent dj promo edition, slamming funky electrohouse, very dj friendly peak time record

this is a record for the spring that never comes. the heat that would be on. through old ghent acquaintances here s the tenth release from the lddlm bunker. rheinzand is almost our super group. mo (ex glimmer twins but still shining), rheinard, the multi-instrumentalist force and charlotte, the softer voice. we don t do retro but if we had, it would be them, chameleons on a sequin dress, sometimes camp, sometimes deep, sometimes even -disco clash- (the term is now copyrighted) on remix duties, we have the lovely cat lover lokier who turns the first time (track who was a big hit with influential minor players blah blah) into her own smacked out industrial groove. ah, it also has the belgian colors. this is part 1 of 2. get the talc out.

after putting out a string of brilliant singles and ep s in the past few years, slavaki is up with his first artist album. it s hard to believe it s taken him 7 years since the first release, to come up with the idea of releasing a full-length . no wonder, tracks have gotten time-tested, and have been carefully selected out of over 10 continuous hours of material written in the period between the year 2011 and 2015. out on artists home label elusive on limited 2x12 inch vinyl, cd , cassette and digital. this album is another peek into slavaki s ever-expanding chest of musical treasures that never seems to fail to surpris

yannick labbé is back on o*rs, with two ultimate night time essentials.

disco halal s first reissue! the 1984 cult classic - tcp (aka tony carey project) - tcp sees its re-release on vinyl for the first time, the long sought and super expensive vinyl on the classic label x records, tcp is the extraction of the multi talented ex keyboard player of rainbow that in future days will be known as , tcp, yellow power, planet p, and more outstanding projects. tcp could be easily compared to the works of sakamoto, hosono, and many other of the periodical soundtrack movement of the early 80 s, but no doubt this is a pioneering record, which set grounds to the electronic music we know today. we are very proud to bring this hidden gem, so that it can once again be shared and enjoyed

catz n dogz ready the next 12inch on their vinyl only pets raw and refined offshoot step. this comes in the follow up to records from a1 bassline, eduardo de la calle, andre kronert and the label owners themselves and marks the return das komplex who offers up his all for love lp. hailing from koszalin in poland, das komplex is undoubtedly an artist of many talents, a full time architect by trade, he has released material on father and son records and tapes label and also offered up the extolled and coveted 6th pressing on the step imprint back in august 2015 a record that sold out rapidly after hitting the shelves. now, his return marks the first foray into long-play format for step and allows das komplex to stretch his legs across 8 masterful disco grooves. diem kicks things off to a sunny start with sizzling guitar licks and softly pattering bongos before the slick italo-tinged obelisk and the richly atmospheric redukcja dysonansu poznawczego follow up. the project spreads out towards the jubilant and dreamy all for love which leads into brukiew, an introverted but ultimately feel-good conclusion that wraps up a beautifully balmy collection and another coup for step.

die fans im londoner hammersmith odeon ahnten nicht was passieren sollte, als sie gespannt auf ihr idol bowie aka ziggy stardust warteten. es sollte die letzte show der person ziggy stardust sein. ein furioses set mit allen hymnen aus bowie’s damaligen schaffens dokumentiert die großartigen live-qualitäten von ziggy und den spiders from mars. vor dem letzten song läutet bowie den “bühnentod” von ziggy stardust mit den worten ein: “of all the shows on this tour, this particular show will remain with us the longest, because not only is it the last show of the tour, but it s the last show that we ll ever do. thank you.”

how to introduce the first record by wolfgang tillmans? now considered one of the most significant visual artists working today, his very first passion in life lay with music. this record features on its b-side three songs recorded in 1986 in his home town of remscheid. the a-side features two pieces recorded in 2015/2016.

it has been a while since we put out the first record on our * van doumen* sublabel. but the time has come to do it once again. it features surprisingly well-known artists for doumen standards, such as nyc prodigy photay, psychedelic la beatmaker ras g, studio barnhuis darling kornél kovács and leipzig legend leibniz. all are remixing original doumen releases. so i guess your are old enough to decide for yourself if you find that interesting.

bar musica is a brand new label that promises to inject plenty of charm and originality into the underground house and techno world. the first release kicked up quite a storm from label owner bartolomeo, and the second release features a trio of great originals by j paraguai, with a remix from long time electronic talent bruno pronsato. rumba is up first and is a full fat, corrugated house track with tribal percussion, punchy drums that swing down low and afro vocals. it is a dynamite groove with roughshod tin pot hits that are carefully treated and bring a lovably wild side to the track. thesoundsays founder and berlin based new yorker bruno pronsato has been on the fringes of the underground for more than a decade with inventive eps and lps on labels like hello? repeat and bosconi. his remix is stripped back to a forceful and rubbery techno groove. blistered synths rip up the middle and spooky voices, trippy effects and manic loops all make it a freaky late night or after-hours tune that will send floors wild. ble is then another j paraguai, and this one is again unhinged and urgent, with intense synths exploding above shuffling, tightly knotted minimal drums and sweeping pads. it’s pure wtf music for brave djs and dancers and is a truly original production. then last original atles is rugged and impactful in the way in combines house and techno into new ideas. it is stripped back to little chopped loops that bury deep in your brain and have you in a trance in no time. as such, it rounds out a fine ep and keeps this exciting new label going off in great style.

after putting the band on the map with their first ep two years ago, the band feathered sun has grown into a life of its own. the more live sets they have played, the better they have defined their style. they are spearheading a brand of sound healing music abstractly narrative, always poetic, sometimes flirting with darkness but always perfectly produced to carry the audience into their own world. feathered sun are the collaborative experiment of nu, jo.ke, raz ohara, chris schwarzwaelder, iannis ritter and acid pauli johannes laumer. each have active and flourishing solo artist careers, albeit still have time to collaborate with one another. the six-strong collective are a close-knit troupe who are primarily based in berlin and lima, peru. live improvisation is ultimately what brought the feathered sun project to life - they are open about their laidback, impromptu approach and this is apparent throughout this ep. side a was primarily crafted in peru by chris schwarzwaelder and jo.ke with raz ohara’s mesmerising vocals. the end material was then sent to nu in berlin who crafted two tracks out of it. the ‘bulbo’ ep shows a willingness to explore different approaches within the collective and the music showcases their long-standing affiliation. it is a downtempo ep that has immaculate instrumentation, dreamy pads and brooding vocals throughout. this is intertwined with organic sounds and moody atmospheric melodies, gives the release a timeless and emotive ambience.

this compilation should enrich everybody’s soul with a mix of something for everyone who likes or wants to explore the variety of early soul tracks which are finding new favour on today’s uk soul scene. from the lesser known tracks from big name artists like aretha franklin, otis redding, gladys knight and the drifters, to established hits from the valentinos, sam cooke, steve alaimo, chuck jackson and timi yuro.

kyodais debut release on mule musiq! they have released quality house music from freerange,local talk and their own imprint beer. this time kyodai teamed up with female singer and result is very emotional vocal house tune. it reminds me bit henrik schwarz remix of ane brun-headphone silence. enjoy!

after a five year absence the illusive cottam label returns. since the original series paul has travelled the world djing, released on labels such as aus & versatile and started his own imprint ruff draft for his own original productions and tracks from other producers. currently taking a break from djing & concentrating on production it felt like the right time to reactivate the label that started it all with some new under-the-counter specials. first up we have ‘mixing tool’, a heavy beat and percussion setting the dark & foreboding tone, the unease increasing like something is creeping up behind you until the distant war cries reveal themselves - a deep track that is much more than the title suggests. next up, the long awaited vinyl release for the cottam re-wiring of a classic film title track, mixing the best elements of the originals synth score with a club ready beat and acid that adds to the original - this is one of the finest carpenter reworks you ll hear.

as we move into the summer months, yoruba records is pleased to present this tasteful rendition of celebration of oggun from the much acclaimed sunlightsquare. based on a traditional yoruba chant performed by havanas abbilona, sunlightsquare takes the original and gives it a modern deep house touch. a soulful tribute to the protector in the orisha system, sunlightsquare provides a rhodes-driven melody that accompanied by powerful chants will have you grooving any time of day or night. a2 finds us with the stripped down yoruba soul beats version from osunlade himself. a unique percussive number that keeps the soul of the original – the bata drums command you to move your body in celebration. as we flip the record over we kick off with the yoruba soul mix. using the backbone of the beats mix, this nearly seven minute ballad is an absolute must-have in your bag. a smooth, subtle bass keeps you grooving as it makes way for the vocal – elevating you in the spirit of dance. lastly, we close with a stunning mix by none other than trinidadiandeep. this future yoruba classic is as deep as it comes. guaranteed to keep the floor moving, this must-listen tracks pads help round out an ep were extremely excited to bring you.

reissue of an eye for an eye by byrne & barnes: a true westcoast/aor masterpiece, produced in legendary music city muscle shoals (alabama) and originally only released on japanese label climax. in 1981, robert byrne followed up to his 1979 album, blame it on the night, by teaming-up with multi-instrumentalist brendan barnes to record this rare westcoast classic. if they never recorded any other music together, both display incredible music career and went on to produce for many famous artists such as pointer sisters, patti austin, earth wind & fire, phil collins, brian mcknight, or boyz ii men to name just a few.

mr. g comes up with another addition to his phoenix g catalog. this time long time friend ben sims does a splendid remix on the a side. furthermore, mr. g drops a banging 12” like always.

after the success of their debut split ep with muslimgauze which sold out in record time, the southern italian male/female duo underspreche return to optimo trax for their first ep in their own right. three tracks of deliciously psychedelic advanced techno grooves filled with subtle syncopations and head melting sound design. first release in the new optimo trax colour scheme.

nice price deal !!! echovolt expands its remit with the launch of a new series of mini-albums with the first edition coming from templeyard studios, a recently formed project of berlin-based greek artists miltiades and goolyk. met for the first time in berlin in 2014 and pretty soon started sharing sonic ideas and researching how they could affect the human brain, using hardware sound equipment.

the enduring search seemed to lead further away from the nooks and crannies of the land, hiding in the remote silence and depth of the undiscovered. novelty always awaits around the corner. proving his quality time and time again, we continue with the next chapter in the love over entropy saga on something happening somewhere.

island of the gods is back, with the first in the series of the island explorer lps. london based artist black merlin delivers with the atmospheric hipnotik tradisi lp, limited edition. 180g vinyl.

we are really proud and honored to present espectrum, a year-long effort to put together a compilation of the best dub techno. the idea was simple, but ambitious: ask some of our favorite artists for one track to epitomize dub techno—the style of music we’ve loved and continued to develop since our birth as producers and a label. with a very precise idea of what we wanted to collect, the compilation was carefully built with hypnotic, obscure, dense, and magical sounds with an eternal hook. these are the kind of tracks that will never lose their appeal, because they go above and beyond labels, styles, and trends, resisting the passage of time. after the first tracks starting coming in, the idea grew more and more special, and the concept even stronger. we knew we were onto something really big. and, finally, here it is.